Monday, March 2, 2020

[8] Ray Kyooyung Ra – Love is Blind, but Not Really (Week 8)

Netflix launched an ambitious “experiment” (spelled ‘R-E-A-L-I-T-Y S-H-O-W’) under the name Love is Blind, titled for its format that requires the contestants to decide whether they want to enter into a marital relationship with one another without ever seeing each other, relying only on conversations they have through pod walls.


The new format subverts many of the conventions observed in reality dating show such as The Bachelor franchise. It is interesting to see the vast differences in contestants’ interactions with one another here: there is noticeably more discussion on racial and cultural differences, economic status, and due to the physical limitations in face-to-face communication, less artificially manipulated drama  staged by the show’s producers. Is Netflix, a pioneer of many contemporary contents, rewriting the grammar for reality television? Ultimately, however, when the contestants face one another at the end of the series to discuss marriage and experience cohabitation, things get even nastier than The Bachelor.


What is Love is Blind ultimately trying to get at, I wonder. Does this show give a more clinical, darker diagnosis of dating life for  Millennials? Or is this new reality show format smudging the border between reality and production—we already know shows like The Bachelor  are produced and scripted (although no one on the staff is called a ‘writer’, for obvious reasons), but we still talk about Peter Weber like he is a dear but dumb-witted friend we personally know—even further, hiding the producers’ manipulations of the contestants behind its glowing, futuristic pods? Does the show’s pseudo-social-experiment format mess with the audience even more psychologically than conventional reality shows do? I would love to hear opinions from people who have watched this show on Netflix!

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